Showing posts with label #Andy Tillison Interview. Show all posts
Showing posts with label #Andy Tillison Interview. Show all posts

Wednesday, April 15, 2020

ANDY TILLISON PROFESSOR OF PROG AND LEADER OF THE TANGENT SPECIAL GUEST ON INTERVIEWING THE LEGENDS W/RAY SHASHO BBS RADIO

A   N   D   Y
T   I   L   L   I   S   O   N
BRITISH KEYBOARDIST
SINGER-SONGWRITER
for
PROGRESSIVE ROCK GROUP
T H E
T A N G E N T
EXCLUSIVE 
ANDY TILLISON INTERVIEW
CLICK BELOW TO LISTEN
The Tangent is a Progressive Rock Band from Northern England, based around keyboards player, composer and idiosyncratic vocalist Andy Tillison Diskdrive.
Their music is cinematic and lyrical, full of narrative, often telling stories or making observations about the world we live in - often choosing subject matter more associated with Anarcho-Punk bands than with the genre in which the band choose to base themselves. "No Hobbits or Orcs in our songs" The band have released a steady output of well-regarded albums through their record label Inside Out Music.
The band has changed personnel many times and has used this fluidity to keep ideas fresh and lucid. The debut album released in 2003 The Music that Died Alone was often referred to as a "supergroup" project, though Tillison has always eschewed this title, preferring to go for the less obvious "a good idea".

In twelve years, the group has had close affiliations with Swedish progressive legends The Flower Kings, and Jonas Reingold (bass) from that band remains in the Tangent to this day despite the departure of Roine Stolt from the Tangent ten years ago now. David Jackson (Van Der Graaf Generator) was heavily featured on that debut album, Jakko Jakszyk (now of King Crimson) has been a frequent collaborator along with Theo Travis (Steven Wilson Band, Soft Machine Legacy, Gong etc.). Guy Manning, Gavin Harrison (Porcupine Tree), David Longdon (Big Big Train) have all played key roles in the band's development and the band was instrumental in bringing the talents of the astonishing young guitarist Luke Machin (Maschine) to the world for the first time.

Tangent philosophy has been to embrace other more contemporary bands. Whether overtly progressive themselves (Flower Kings, Spock's Beard, Argos, Magenta etc.) or completely away from the official boundaries of the genre into metal, Jazz, modern pop, soul, disco and film music, the Tangent do not follow the prog rock rule book.
"It's more what we don't do that sets us apart" Tillison said in a 2007 interview... "we've always avoided doing the 12 string acoustic stuff, and in fact anything that gets too Genesissy or Floyd-like usually (not always) gets binned.. that's not to say that there aren't influences.. just that we don't like the idea of being confined to the styles of those particular figureheads. The spirit of progressive rock music was carried by lots more people than Genesis. I think that too many of us (new bands) use the obvious source - i.e. the 70s bands and forget to look around us and see what our contemporaries are up to!"



Over the years the band has had many manifestos, all of which are still relevant to the future of the Tangent..
Andy Tillerson’s progressive bands have been "A New Opera" 1978 - 1986, "Gold Frankincense & Diskdrive" 1987 - 1995, Po90 (Parallel Or 90 Degrees) 1996 - 2010 and The Tangent 2002 - the present. With over 20 albums released out there - Andy has been one of the most committed and unrelenting advocates of Progressive Music through its darkest days.


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T H E

T A N G E N T



P R O X Y




available at
amazon.com




Studio albums
by THE TANGENT

The Music That Died Alone (2003)
The World That We Drive Through (2004)
A Place in the Queue (2006)
Not as Good as the Book (2008)
Down and Out in Paris and London (2009)
COMM (2011)
Le Sacre du Travail (2013)
A Spark in the Aether (2015)
The Slow Rust of Forgotten Machinery (2017)
Proxy (2018)

Live albums
Pyramids and Stars (2005)
Going Off on One (2007)
Going Off on Two (2010)
London or Paris, Berlin or Southend On Sea (2012)
Hotel Cantaffordit (with Karmakanic as Tangekanic) (2018)






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